Daily Archives: August 15, 2010

Georgette Heyer Had a Word for It

A romance book website put together an “interview” with Georgette Heyer, out of quotes from Jane Aiken Hodge’s biography of her.

Heyer often complained about some publishers putting off her readers with “cheap and nasty” covers that tried to be suggestive. There was also the truly infamous movie adaptation of The Reluctant Widow, which tries to make a novel about a sensible heroine and a nearly Vulcan or Stoic sensible hero defeating Napoleonic spies with lots of humor, into something ribald. (You can see it on YouTube. Pretty sad stuff.)

But here’s the memorable bit — she also complained about bodice rippers, specifically medieval ones. (Since she wanted to write medieval novels, really.) And I think it’s still true for the most part that “….when American publishers say that they want books about the Middle Ages they have in mind a welter of flesh, blood, sadism and general violence. Breast-sellers, in fact.”

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That Bollywood Lady with the High Voice. You Know. Her.

That singer. The one who’s always getting her music played in the Indian restaurant.

Yeah, her. You know who I mean.

Well, it turns out that the Rough Guide music people took pity upon the world, and produced an entire album of nothing but her greatest historical hits. And it turns out that it’s on sale at Amazon, as an mp3 album, for only 5 bucks until the end of August.

The downside is that you don’t get any liner notes or lyrics or translations or funky photos (if any), whereas with a physical CD, you do.

The other downside is that the commenters at Amazon say a lot of these songs are shortened in this series of albums. Instead of being five or six minutes long, they fade out after two or three minutes.

They have other historical Bollywood albums from Rough Guide also, which also sound Pretty Darned Familiar from the Indian restaurant hit parade. Or you can just get Bollywood albums from India through various sources, because amazingly enough, their industry is perfectly okay with selling us mp3s. :

Anyway, big sale at Amazon if you want mp3s.

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Interesting Architecture Article about Our Lady of the Holy Rosary Parish

I just found this when writing the other post, and thought I’d post it here so it wouldn’t be lost.

From the Architectural Record magazine’s January 1919 issue, “The Holy Rosary Church, Dayton, Ohio, W.L. Jaekle, Architect”, as reviewed by one Leon V. Solon. Includes photos. The same photos and a few more are available in Volume 115 of American Architect and Architecture, from their March 1919 issue.

Jaekle also designed St. John’s Church in Middletown, which was started in 1925 and finished in 1927.

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Holy Family Parish, Dayton OH

Dayton’s Latin Mass/Extraordinary Form community, and the FSSP (Fraternity of St. Peter) priests who have mostly said Mass for it, have been based in various different parishes over the years. It’s a history I know little about but which is surely worth somebody’s chronicling. Early this summer, however, Archbishop Schnurr gave Holy Family Church (which had been glommed into a joint parish with St. Mary’s) to the FSSP for their very own.

I’ve been meaning to go over there all summer, and see how things are going and what people are doing. But it’s been a bit hard to find the time and the energy while working around my cantoring duties at my own parish — not to mention finding weather that didn’t seem likely to kill me. (Sorry, no A/C in most of Dayton’s big old churches. Too pricey.) But I finally got over there today. I won’t be doing it very often, because the bus schedule is difficult on Sundays (for me, anyway). But for a big feast like the Assumption, it was nice to go. The weather was horrendously sticky, yet not as hot as most of the summer has been.

If you do go, I should probably mention first that they apparently have a BIG POTLUCK BREAKFAST after the 10:30 Mass. The heck with just donuts — these people feed you! Also, they seem very friendly, and there’s a good spread of ages (though it’s heavily young families with kids, as you’d expect in an EF group). OTOH, part of the reason they feed you is that Holy Family isn’t in one of the super bestest parts of town. I’m not saying it’s dangerous in daylight (it better not be, since I took the bus there and back!), but it’s pretty poor. You’d definitely have to drive all the way out of the neighborhood and into another part of town to find a place big enough for all those parish people to eat.

(UPDATE: The potluck brunch is only once a month, per the comments, and the donuts and coffee Sunday is also only once a month. So the other two or three Sundays, you gotta fend for yourself.)

Anyway, the church itself is really really nice. It dates from the early 1920’s, and was designed by Murphy and Olmsted from Washington DC, along with W.L. Jaekle from Dayton. (Mr. Jaekle also did Our Lady of the Holy Rosary, the previous home of the Dayton Latin Mass community.) The outside has that late medieval Italian look, with the campanile and the red tile roof.

If you don’t like barren stretches of white as decor in a church, this is the parish for you! If it’s not painted or made of stained glass, it’s colored tile or a statue. Let us count the ways:

The narthex/vestibule has the Dayton-standard three entrance doors at the top of a flight of steps, with grilled-in baptistery to the left (no longer used) and door to the stairway up to the organ loft on the right. (There are also entrances doors up front in the church to the left and right; the right hand door by the parking lot is handicap-accessible by a very nice ramp.) In the vestibule, the ceiling is a barrel vault painted with blue and gold suns and stars in a 20’s modern type of pattern. The suns have within them an encircled blue and white Chi-Ro, with an alpha on one side and an omega on the other. There is also a band of patristic art-looking painted sheep, and then the walls are painted a sort of red/purple/pink speckled color. (Which works with the other stuff, oddly enough.) There’s also a small recent statue of St. Julie Billiart, pictures of Popes John Paul II and Benedict XVI, an original architectural drawing of the building, bulletin boards, holy water dispenser, etc.

The floor, both in the vestibule and the main church, is covered with what looks like linoleum to me, but spiffed up with bands of black and white checked material. Whatever it is, it’s in good repair everywhere, as far as I can tell. (In contrast to many of Dayton’s older churches, where the floors are solid but the tiling or wood is often getting pretty worn or cracked.)

I’m not good at getting good church pictures, and anyway, the church was being kept dark today because of the heat. So I’ll just point you toward some pictures previously posted on NLM and the parish website.

Inside the three doors leading from the vestibule into the nave, on the back wall, there are two confessionals, a large oil painting of Mary and toddler Jesus, statues of St. Jude and of St. Joseph holding baby Jesus, and the familiar Dayton Latin Mass Community library cart, still used for holding hymnals, lending missals and lending chapel veils. All the pews in this church are wood, very solid and with plenty of room to sit, stand, kneel, and walk; and they’re arranged in a standard way, not all cattycornered everywhere.

If you look up, you’ll see the choir/organ loft. Big pipe organ, decent-sized loft (though not huge). There’s a rose window behind and above the pipe organ.

The ceiling is painted in various abstract square designs to give the look of being coffered. (I think the designs are all different kinds of crosses, and I think they’re all primarily dark green and gold. But the lights weren’t on, and my eyes aren’t great.) The top of the wall has a line of various Christological symbols and clerestory windows, and then a band of designs, and then there’s an arcade of arches, and then big long stained glass windows. These windowns have 2 symbols, 2 pictures drawn from the Gospel or the lives of Mary and Joseph, then two more symbols, and then 2 more story pictures. From there to the floor, it’s more wall painted in stucco-y colors. In between many of the windows, there are large mosaic-tile Stations of the Cross built into the wall.

On the left side, there are some extra supports (probably for the tower). Where the next window could have been, there’s a statue of St. Anthony of Padua. There’s some kind of unused confessionals on both sides up front.

The left and right doors have rose windows over them, then a sort of mini clerestory of ten small stained glass windows of saints under that. Then there’s a painted picture of an angel under that, and then the doors. The left door leads to a double stairway, which can lead you to the huge sacristy and tiny restroom, the outside door, or the basement (which includes another restroom, a large eating and kitchen area, and at least one other large room). The right door has a tiny vestibule suitable for reading materials, and then a door to the outside which leads to the ramp, the parking lot stairs, and the old school. (There was a covered arcade between the school and church, which was original to the architectural design and mighty thoughtful of the architects.)

The front has a big half-dome apse for the main altar, and two little altars to left and right. The left altar has a statue of Mary and an inscription about Our Lady of the Rosary; the right altar has a statue of St. Joseph holding a book instead of his standard attributes, and an inscription about St. Joseph as Patron of the Dying. Both Mary and Joseph are done in pale colors and in a fairly fluid modern style. Next to the Joseph side altar are: the font that used to be in the baptistery (a big green thing that matches the built-in ambo on the left), a little statue of the Holy Family up high, a little statue of Jesus as the Infant of Prague down low, and a picture of Jesus as King showing the Sacred Heart. The side altars and the main altar are all enclosed in a big sanctuary rail, which I believe is original, and there’s a big original gate with some very pretty metalwork.

Painted above the apse are St. Peter on the left and St. Paul on the right. The half-dome is covered with an amazing painting of the Jesse Tree and the Holy Family, with Jesse reclining at the bottom. Then there’s another band of painting, a band of ten small stained glass windows of angels with another modern fluid statue of Mary (this one golden colored) in the middle showing Jesus in her womb, and then a band of five diamonds of Christological symbols. The high altar has a beautiful large crucifix attached to it in the middle, and the tabernacle is part of the high altar wall.

Like I say, there’s a lot to look at.

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