Category Archives: Cartoons/Animation/Video

Nancy Drew Movie?

Yup, apparently there’s a new one. Nancy Drew and the Hidden Staircase (2019).

First off — Nancy steals Trixie Belden’s hairstyle and hair color. Seriously. It’s glaringly obvious. Nancy Drew once had blonde hair, and then later had “Titian hair,” but she was never a straight-up redhead like Trixie. She also never had short hair — that was left to others.

Of course, if that’s the actress’ natural hair, fine. (Apparently she’s actually a very light sandy blonde in her publicity photos, so probably not. Her hair used to be ultra-short, so I guess Trixie Belden was as far as her hair managed to grow.) But the hairstyle is truly an exact copy of Trixie Belden’s, and it looks weird on a Nancy Drew. Makes a good Trixie Belden bookcover, though.

Secondly, it’s co-produced by Ellen DeGeneres. So yeah… there’s that. Nothing obviously weird has been added, though.

Thirdly, I’ve seen reviews claiming that the movie’s pretty harmless-to-good, but it also seems pretty dumb.

I mean, on the one hand, they’ve resurrected Nancy Drew’s older, gossipy party girl friend from the early books, Helen Corning. (And since Helen ends up happily married to a nice worthy hunk, it’s an interesting part for a modern actress to play.) But what is her personality now? No clue from the review. I thought she would turn out to be Nancy’s black friend on the poster, but apparently she’s the blonde chick standing in front, bossing the other two around. Helen is not even Nancy’s friend; she’s a Mean Girl who’s also the steady of the movie’s Mean Boy. And yet, they team up, because somehow this will provide an Important Lesson.

The lesson is that older series heroines didn’t bother trying to make friends with Mean Girls. It was for them to learn Important Lessons, and for the heroine to keep trucking.

Nancy’s closer friends, the cousins Georgina “George” Fayne and Bess Marvin, are also in the flick. Nancy and the other two are pretty much a classic trio, like Kirk, Spock, and McCoy, where each of the secondary characters expresses facets of the primary character in a more pronounced way. Nancy likes clothes and makeup and feminine stuff and boys, but Bess is boy-crazy, ultra-feminine, a little shy with strangers but happy to socialize, pudgy and not very athletic, and very good at housework and gourmet cooking. Nancy is a little bit of a sports and action girl, but George is crazy about sports, skinny and strong, needs a total jock boyfriend to keep up with her, drives like a maniac, and has no patience with most feminine graces. She’s a blonde, and George is a brunette.

So now George is an African-American girl with a big hair hairstyle that definitely would take a lot of time and styling. I’m not saying that she couldn’t be Bess’ cousin, and I’d actually praise the movie if she were. But, yeah, instead she is big into social media, which is somehow easily confused with being “tech savvy.” Apparently she has all of Bess’ personality traits, and yet she is named George; whereas Bess is sort of a non-action girl George.

Except Bess is braided and mousy, even though she also wears athletic clothes all the time. Yeah. Also, Bess has been transformed into a science geek. Okay, a chemistry geek, but come on. And her friends give her a sexy makeover with super-tight clothing. Not Bess making over Nancy or George, mind you. Nooo. And Bess, one of the most popular girls in school, is a social outcast now. Uh huh. But she still worries about loving food too much! Yes, let’s cut every other piece of legit Bess characterization, and leave a skinny actress being worried about turning pudgy or getting acne!

None of the reviewers comment much on these major changes. (The female reviewers mostly don’t seem to be familiar with Nancy Drew at all, although one of them does notice the callback about Bess and food.)

Nancy’s mom just died, which isn’t the worst decision in the world. If you have to have soapy drama, then at least that has something to do with the characters. But really, her mom died when she was either 10 (older books) or 3 (newer books).

Nancy is not from River Heights, which is dumb. She and her dad have just moved there from Chicago, and River Heights (a good-sized city) is all booooring, unlike living in the murder capital of America. (Except she wouldn’t have lived there; she would have lived in a suburb somewhere.) Needless to say, Nancy does not have a recognizable Chicago accent.

Nancy’s dad (who somehow is magically already a district attorney in this new town) is about five years older than the actress playing Nancy. And he’s not a crimefighter. Nooo, he’s got bigger game — there’s an evil train company trying to expand their rails into River Heights! How dare they! Yup, he’s been hired to fight industry on the taxpayer dollar, and he’s going to do it.

But liberals love light rail, right?

And his new boss is Nancy’s godfather, but that’s totally not the same as nepotism. (And they’re not Catholic or anything icky like that.)

The Drew’s motherly, high side of middle age housekeeper, Hannah Gruen, is maybe five years older than Nancy’s dad. And gorgeous. Because that’s who you cast as a motherly housekeeper. Yeah. But don’t worry! She’s no longer a highly paid household professional — she’s a paternal aunt, and she’s doing the housework for free, and then running off to work another job! Because that’s feminist!

Also, one of the main friendly adult characters in this movie is an ex-stripper who claims to have multiple current lovers. Because that’s all feminist and family-friendly and stuff. Yeah. Amusingly, she is the Mean Girl’s great-aunt, so at least there is some tiny little connection going on.

Also, Nancy and her pals’ first caper amounts to stalking. Revenge stalking. Okay, justified revenge stalking of a cyber-bully, culminating in a funny but harmless prank, but seriously? In our time and place? Even if you have the kids reprimanded, how is that right?

And then, they actually go through the juvenile justice system and are sentenced to community service? Seriously? How is that right, either?

Also, Nancy doesn’t just restrict herself to the odd picking of locks with a bobbypin. Nope, she straight-up steals a car. Not a villain car, to escape kidnapping. Nope, she apparently steals a car and goes driving without a license, because that’s what you do if you need to get somewhere. And the movie tells kids all about getting high off nutmeg.

But other than all of that, the movie is reasonably family-friendly and wholesome. Or so the reviews say. I don’t really trust the reviewers at this point.

The good news is that the actress playing Nancy seems to be very winning. So maybe the next movie will be better, although they rarely are.

So yeah… not really feeling the need to connect with my old friend Nancy. Sounds like she’s still hanging out in her books. The movie’s also only being released in big city markets right now, so there’s no point taking an interest.

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Young Judge Dee TV Show on Amazon Prime

Tsui Hark’s third Detective Dee movie (Detective Dee: The Four Heavenly Kings) is due for release in July 2018. So it’s not surprising that there’s a 2014 live action TV show on Amazon Prime about young Judge Dee and young Empress Wu, with lots of martial arts, magic, and detective deduction.

The catch is that it’s not called anything resembling “Judge Dee,” “Detective Dee,” or even “Magistrate Dee.”

Yup, it was uploaded by the production company as:

Clip: Young Sherlock.

(Also, whoever did the uploading has classified each of the series episodes as separate movies. And there are 40-some episodes in a season. My advice is to search for the show on your desktop, and then click each of them onto your watchlist in episode order.)

It turns out that the official English title really is Young Sherlock. Presumably this is using “sherlock” as a generic word for a sleuth.

Anyway, it’s a pretty typical Tang Dynasty detective/martial arts show.

(Heh, I just wanted to write that sentence.)

So there’s a hotblooded hero destined to make nonfictional history and become a Chinese god, Di Ren Jie. He is a gifted young scholar and martial artist, but his dad finds him unserious. It’s almost time for him to get married off and take the bureaucrat exams, but he just wants to have fun. He’s crazy for beautiful girls. But he doesn’t want to marry his cousin and childhood friend, a girl with a sharp tongue and a mean right whose nickname is “Tigress.” He also doesn’t want to marry the other leading candidate, a rich and well-educated government minister’s daughter he’s never met, because her nickname is “Ugly.” But on his way to visit the capital, he falls in love instantly (as one does) with a gorgeous young woman who doctors the poor while hiding her face (as one does).

He also has a faithful family servant/sidekick who spends his time being ordered around by both the future Judge Dee and the aforementioned Tigress. (Though they treat him with careless generosity as well, since they were all raised together.)

And Tigress is also destined to meet mysterious love interests, as well as dressing up like a guy. Because that’s what young female martial artists of good family do!

Anyway, the first episode sets up the show with a lot of info about palace intrigue and the Emperor’s troubles, as well as introducing us to a mysterious group of magical ninja terrorists, led by a guy wearing a Western-style helmet. Emperor Gaozong gave up hope of marrying his childhood friend and true love (Wu Mei, the future Empress Wu) upon taking the throne, for an important reason. She had been married off to the now-dead emperor as a concubine, so marrying her himself would count as incest. Further, an imperial consort who didn’t have kids by an emperor was supposed to remain celibate afterwards, to avoid succession confusion, and was to be booked off to be a nun. Therefore, she became the abbess of a Buddhist shrine to the dead emperor’s memory. But for various reasons, the gods don’t seem to think this is good enough, and the omens are bad. So the young emperor, depressed and lonely, contemplates going back on his decision… and of course, there are courtiers trying to get him what he wants!

But the second episode starts with mystery, as a theater accident turns out to be no accident, and Dee shows even the gentlemen of the court just how deadly serious he can be.

On the whole, I think it’s okay for mystery-reading kids… if they are okay with lots of subtitles, scary stuff and mystery murders, as well as pagan and Buddhist Chinese altars and temples. There’s some earthy humor too. (For instance, Tigress complains that, since they were little kids together, Dee has already seen her naked when they were in the bathtub together. Since she complains about this in public, the public misinterpret it!)

There’s also a frequent repetition of a famous Chinese love poem about longing for the beloved so much that she confused green and red, which is written to a married Emperor. (Yes, maintenance of the imperial concubine system is a plot essential.) If your kids already know about King Solomon, there’s nothing shocking.

The main question, as ever, is why the evil Empress Wu has been rewritten as the purehearted Empress Wu in so many recent historical works. Obviously people really really want her to be a positive historical model for women, because many of her policies were beneficial; but that doesn’t mean she can’t also have been a model of dictatorship, cruelty, extravagance, and excess. Heck, that seems to be most Chinese rulers of note — a bunch of powercrazed weirdos, with good administrators doing all the work.

As the linked article above says, Young Sherlock was produced in Hong Kong under Communist Chinese control. Dee is played by Bosco Wong, and Empress Wu by Ruby Lin. Yuan Hong is the Emperor, Ma Tianyu is the sidekick (whose name is Wang Yuanfang), Cindy Sun Xiaoxiao is Tigress (Tong Mengyao is her actual name), and Stephy Qi is the mysterious doctor, Li Wanqing. The director is Lin Feng, and the show was produced for Hunan TV.

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Nicolas Le Floch: Good Historical Mystery Show

Nicolas Le Floch is a French-made historical mystery show. It came out in 2008, and I’m sorry that I’ve never seen it before. The scenery of old Paris and Versailles is great, the portrayal of the era and its point of view is wonderfully exact, and the stories are a mix of mystery and swashbuckling adventure. What more could you ask?

It’s 1761. Nicolas, our sleuth hero, is a commissaire for the Paris police. He has a team of investigators (including an inspecteur who often masquerades as a servant or constable), sources (including a sort of Paris Baker Street Irregulars), and access to the weird world of French government informants.

(Yes, the king and Cardinal Richelieu really did employ some of the famous Paris beggars as an army of informants and couriers.)

However, he also has to deal with the mean streets of Paris, court intrigue, plots, poisonings, banditry, his boss, and all manner of other troubles. And since he’s a French detective whose last name is not Maigret, he is statutorily required to have extremely consenting sex with extremely consenting women.

But he is really trying to fight for justice, even if his means are sometimes questionable. Very questionable. Or at least, very French.

It’s a really good show with great stories. It’s so refreshing to watch a historical show with characters that have historical motives, feelings, and worries, instead of being copies of modern people. Also, the actor does a great job playing a complicated character caught between worlds, and he has plenty of French charm as well as French shrewdness. The supporting actors and minor cast are also a joy. The music is beautiful, and there’s a great scene reproducing baroque opera. Even the horses are awesome.

It’s not a show for young kids who are mystery fans, because there are suggestive situations, and there’s a fair amount of talk about court scandals with both sexes. But it should be okay for older folks.

Nicolas Le Floch is adapted from a series of French historical mysteries written by Jean-Francois Parot. (“Les enquêtes de Nicolas Le Floch, commissaire au Châtelet.”) Six of the books have been translated into English by the repetitiously named Howard Howard, and they are available on Kindle. There is an audiobook edition in French.

The German translation of one of the books appears to be free on Kindle, but that doesn’t do me much good.

Nicolas Le Floch is available free from many libraries via the Hoopla app, which now includes video download capabilities for mobile devices.

PS – The Great Courses are now available on Hoopla, also for free. Which is cheaper than the Amazon channel, given the capacity to download, although only a fixed number of people can borrow the same video at a time from your library. Courses include “Learning French,” “Latin 101,” and “Greek 101.” (Still no downloadable textbook, but free!)

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Angeles: A Bad Imitation of Winx Club

Every weekend, Galavision shows the kids Spanish-language cartoons.

This one is actually from our Italian animation friends at RTI. Unfortunately, it’s a desperate attempt to copy RTI’s own Winx Club. It’s called Angeles in Spanish, and Angel’s Friends in English. It came out in 2009, and there are two seasons of this junk.

The premise is that, just like fairies and witches, guardian angels and tempter devils have to go to high school to learn their jobs. And while it is moderately plausible that a threat to the world might make witches cooperate in a few situations, this series postulates that the fallen angels cooperate with guardian angels as well as fight them. Also, angels all dress like Jem and her friends, with 80’s streak hair and shorts. Devils dress like 70’s Kiss.

Anyway, of course the main character angel (Raf, for Seraph) ends up sneaking around with a “Bad Boy with a heart of gold” devil. Of course she does. Twoo wuv ensues. Of course it does.

OTOH, it is pretty good for Spanish listening practice, since the voice work has to be a little slower to fit Italian mouth flaps. And the music is pretty nice, as Italian show music usually is.

There’s another Winx Club imitation show called Regal Academy that just came out last year; apparently it’s on Nickelodeon. It’s fairy tale hero/heroine school, with Cinderella’s kid et al. Annoyingly, all the kids’ parents are also teachers at the school. Argh, poor kids. But if you were disappointed with the stupidity of Disney Descendants, maybe a Winx Club imitator will work better.

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TV to Adapt Japanese Light Novels about Vatican Investigators

Yes, my children, it’s that time again. It’s time to enjoy or shudder at the Japanese pop culture idea of Catholicism!

Anime company J.C. Staff is making a Gothic/horror/mystery anime called Vatican Miracle Investigators (Bachikan Kiseki Chousakan).

Behold. There is a trailer.

Fr. Joseph Kou Hiraga is a brilliant scientist. Fr. Roberto Nicholas is an expert in archives, paleography, and codes. Together, they investigate miracles!

(Yeah, that’s not how priests usually look. Albeit priests sent to the Vatican to study for the Vatican diplomatic service often are attractively presentable.)

To be fair, they are giving these guys some interesting features. Fr. Hiraga has a twelve year old brother with terminal bone cancer. (Ow.) Fr. Nicholas the archives researcher is an Italian bon vivant, as opposed to the more serious Fr. Hiraga.

The light novels by Rin Fujiki have been running since 2007, so there should be plenty of backstory to work with.

So yeah, it’s gonna be a doozy. Coming this July to a computer screen near you!

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Etymology: The Anime!

Nope, no magical powers. Not a historical anime, either.

It’s the story of a modern linguistics post-grad who gets hired onto the staff of a great Japanese multi-volume dictionary, similar to the Oxford English Dictionary. He finds true love and life while researching words.

It’s the new Noitamina anime for this season. Unfortunately nobody knows whether it will be licensed or not. But it starts October 13, 2016.

Fune wo Amu. The name means something like “The Great Ship,” because a dictionary is like a ship.

UPDATE:Actually, the name Fune wo Amu means “To Build a Ship” or “To Assemble a Ship.” Oh, the irony of getting this wrong about a dictionary story!

Where did the false info come from? I forgot that there is already a 2013 movie about this story. (I haven’t seen it, but it’s supposed to be very good. It doesn’t seem to be on any of the streaming services, though.) In its US release, this movie Fune wo Amu was called The Great Passage (because that’s the translation of the name of the fictional dictionary, the Daitokai).  Both the movie and the anime are based on a 2011 novel, Fune wo Amu, by Shion Miura.

Miura’s novel references a real Japanese dictionary of this sort called the Daigenkai, which literally means “The Great Ocean of Words.” It was edited by Otsuki Fumihiko, whose first and widely successful dictionary was called the Genkai, or “Sea of Words.” The big chunky Daigenkai came out in four volumes that appeared after the death of its editor in 1928.

(But he lived a long life; he was born in 1847 to a samurai scholar family** and had fought in the Battle of Toba-Fushimi, on the losing side of the Tokugawa shogunate. So yet another real-life character who could easily have appeared in Rurouni Kenshin.)

So the idea is that the new (fictional) dictionary would be a ship (fune) that would take the reader on a journey (tokai) across the ocean of words (genkai). Not what I was thinking below in the comments, but pretty cool.

(Since Otsuki was a Western studies guy, his titles may also have been referencing Noah Webster. Japanese scholars love wordplay.)

The movie adaptation seems to have focused on the love story in the novel, but the series will give more time to the friendships between the main character and other members of the dictionary staff.

** Otsuki Fumihiko’s grandfather, Otsuki Gentaku, began the tradition in his family of being scholars of “Dutch studies” (Rangaku), by learning Western science, technology, and arts from Dutch books obtained in Nagasaki. Otsuki Gentaku was a physician and writer who wrote Steps toward Dutch Studies (Rangaku Kaitei), the first Dutch grammar book in Japanese. He also founded and ran Shirando, the first private school for Dutch studies, which was located in Edo (Tokyo), and promoted honoring Hippocrates as the father of Western medicine. (And when I say “honor,” I mean “like another Shinto god or hero,” in some cases.)

He is best known today for his sensible challenge to various Japanese misconceptions about African people. For whatever reason, the Japanese believed then that Africans acquired a black skin color through too much exposure to water, but that as a result Africans were abnormally good swimmers,  as intrinsically unintelligent as Japanese fisherfolk, and  just as intrinsically lowborn. Gentaku contended that Africans were just like every other human group, full of “the noble and the lowly… the wise and the foolish.” He also helped write a famous book, Kankai Ibun, which recounted the experiences of the survivors of a Japanese ship who ended up in Russia, the Straits of Magellan, and Hawaii. The book includes a woodcut illustration of the Japanese standing by the famous St. Petersburg statue of Tsar Peter the Great.

Otsuki’s great-grandfather was Otsuki Genryo, a Western-trained physician who was the official chief surgeon of the Sendai domain and chief physician to the Ichinoseki han.

 

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Space Trucker Bruce: Possibly the Best SF Movie I’ve Seen All Year

Space Trucker Bruce, an indie movie filmed mostly inside the house of a guy who lives in Juneau, is currently available on Amazon Prime. It’s also on YouTube (courtesy of the filmmaker himself).

This 2014 movie cost all of $10,000 to make.

It is awesome. It has a few pacing problems and the comedy parts could be tightened, but it is awe-inspiring all the same.

Basically, it’s a hard sf story about a space trucker (Bruce, played by Karl Sears), who rescues a space newbie (Max, played by filmmaker Anton Doiron) whose ship ran into distress. They’re both on their way to Titan Station, with about a month to go. Neither of them are entirely on an even keel, thanks to various stresses. Still, they get along okay. So  it seems like boredom will be their only problem, but the universe has some surprises in store.

But it’s also a very strange comedy. (And pretty clean comedy, all things considered. I’m not saying you should let your eight-year-old watch it, but it’s a lot more PG than most PG flicks these days.) And when I say strange, I’m looking at you, Mr. Sour Cream.

There’s some pretty darned decent sets and special effects, mostly because the filmmakers knew their limitations and worked with them. There are also some neat worldbuilding bits and hard sf moments. There are some bits that go on a bit long, but stick with it. The good bits of the movie outshine any mediocre parts.

And did I mention hard sf? There were some bits in here that really work well, but never seem to make it to the big screen in Hollywood. The worldbuilding is interesting, because it rings pretty true to human nature.

The amazing part is how you do get sucked into this future world by the end of the movie.

Although I’m still a bit worried by Mr. Sour Cream.

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Sweetness and Lightning: A Very Cute Anime

Crunchyroll currently has a very cute family food anime called Sweetness and Lightning (Amaama to Inazuma).

Kouhei Inuzuka, a dad who lost his wife six months ago, is having a hard time raising their daughter Tsumugi alone, especially since he can’t cook. He never had much appetite, but since his wife died he’s been losing weight to the point that his teaching colleagues openly worry about him.

One of his high school students, Kotori Iida, has a mom who works all the time as a celebrity chef, and her father is gone. She also has a phobia about knives, so she can’t do most cooking; and unless she gets over it, she won’t be able to keep the family restaurant going when she grows up.

So (with her mom’s permission) the girl who knows a lot about cooking but never does any, starts to teach the widowed dad how to cook. (And she also gets to play big sister to little Tsumugi, and have a father figure in her life.) So far, Dad has to do all the chopping.

It’s a charming show made from a charming manga. (The manga is also available on Crunchyroll.) Each storyline in the comic includes a recipe as an appendix, so that you can make the same dishes that the characters do.

This is a great intro to simple Japanese cooking, or an inspiration to get off your butt and do some. It also includes some useful information about European- and American-style cooking… but obviously, Japanese cooks adapt their recipes to local taste, just like American cooks do.

So their idea of Salisbury steak is served with a tomato-based sauce and a fried egg on top. (I’m not against it, mind you, but the American idea of Salisbury steak involves brown gravy and no eggs.)

I do want to point out that Kouhei isn’t some stereotypical helpless guy. He does a pretty good job taking care of the house and his job and his daughter. He just needs to know how to cook. (And to be taken out of himself, so that he can get out of his grief and depression, which are affecting his job. As Kotori points out, it’s not good for a homeroom teacher not to know the names and faces of his students. Kouhei has been living in a grief fog, and that’s understandable; but it can’t go on.)

And no, it’s not skeevy. The manga actually points out that Japanese homeroom teachers used to spend a lot of time with their students at home, as well as doing home visits with the parents to discuss the kids. Having teachers over to eat was once common. (Although I assume that this was in the days when teacher salaries were lower, so a lot of Japanese moms probably wanted to feed sensei and keep him/her from starving to death.) This is a manga and anime about a father; he just gains an extra daughter. (Albeit a daughter who intermittently has a crush on him… but Kotori tactfully keeps it to herself.)

I actually have a suspicion that the widowed dad and the divorced mom may eventually get together in the manga. It’s hard to tell, since they haven’t actually met in person yet. (The mom writes out and draws recipe instructions each week for her daughter and the dad, so she’s actually “present” in some storylines and has some personality established.) Of course, since the comic is aimed at teenage girls, it is probably unlikely that the story would go this way! Most likely, nothing will happen except teenager angst.

Also, I forgot to point out that the voice actress playing Tsumugi is actually a young kid – one of the talented kids from the calligraphy anime Barakamon. I hope she’s still having fun with her work; but if she’s only doing one series a season, that should be okay.

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Two Disappointing Flicks: Zootopia and Ant-Man

So I went to Redbox and rented some movies. (Good price.) And I’m glad I didn’t pay a movie ticket or digital rental price, because dang, I would have been upset about the waste of money.

Zootopia was well-animated and had a lot of cute and interesting bits, but oh the stupidity.

First off, it’s not suitable for kids. It’s got scenes that are really dark in ways that will frighten young kids, and there is an extended joke about nudist animals that is presented in a really uncomfortable way. The morals of the story are banged in with hammers, and it’s insulting to kids. Oh, and there’s a Breaking Bad homage sequence. In a kids’ movie.

Second, it’s not suitable for adults, because the plotline is on rails and the police don’t act like police. It’s obvious that the story went through all kinds of developmental hell, but sheesh. The plot also contradicts the supposed morals of the story, as the writers constantly trade complexity for cheap jokes and the aforesaid hammers.

On the bright side, some of the characters are likeable, and the movie is fun when it’s working. The sets are pretty. I don’t blame the voice actors, the animators, the music people, or anybody else besides the writers and directors. Who sucked.

Ant-Man spent a zillion years setting up the action, and there were a lot of talk scenes and training montages that were so boring I turned down the volume and caught up on reading blogs. There was a really good Paul Rudd movie in there, and the action scenes were fun and interesting. Just way too much talk, way too much villain annoyance, and way too much of Hope Van Dyne whining and showing off her Buffy-like martial arts powers in the training montages. (If I want to see a woman beating up the hero of a movie for five minutes, I’ll just get out my Barbie doll and have her stomp on my action figures.)

Anyway, I liked Paul Rudd as Ant-Man, and I liked the little girl actress as Cassie Lang. And the giant Thomas the Tank Engine was worth a fair amount of annoyance.

So once again, I don’t blame the actors, the animators, the set guys…..

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“Love and Friendship” Is Hilarious Fun

The newest Jane Austen adaptation, Love and Friendship (based on Austen’s novella Lady Susan) is not Regency; it’s Georgian. And it’s not gently satirical; it has a villainess of “diabolical genius.” But the battlefields are still all family and social matters, and the ending is a happy one.

Lady Susan Vernon is a creature of charm, only because it serves her self-interest. She does have feelings, but mostly for herself. She always gets her own way… and that’s what makes her fascinating and terrifying to watch. Kate Beckinsale does a wonderful job with this part.

The rest of the cast is given some wonderful characters to play, as well as really good lines. They run with it. It’s the kind of movie where Stephen Fry plays a relatively minor role, and still has plenty to do.

The movie is set in England but was filmed on location in Ireland, using all sorts of gorgeous great houses and the Georgian-era neighborhoods of Dublin. The sets are great, and so are the costumes. (For history fans, it’s a lot of fun watching Lady Susan go from her mourning garb to half-blacks to colors again. The timing is perfect.)

It’s a wonderful example of how making everything period and believable doesn’t mean making everything deadly dull.

Go see it in the theater, if you can. It is worth it.

An interview with the director.

Austen’s epistolary novella, Lady Susan.

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Showa Genroku Rakugo Shinju

The time is the 1970’s. A young man is getting out of prison, with nowhere to go. But he does have a desperate plan. So he goes to the theater door of a man he saw perform only once before – at the prison – and pleads to become his apprentice in the art of rakugo.

Rakugo is usually described as a form of Japanese comedy. As this show points out early, that’s not entirely true. It’s more a blend of storytelling and acting, where the storyteller takes on all the parts. It is now regarded as high culture and performed in theaters, but it started out as just storytellers in the marketplace, sitting on mats. So the storyteller doesn’t take up much space or move around a lot, but he strives to create a whole world. Many of the stories are funny, but there’s also a tradition of scary stories.

So it’s an audacious career idea for a young man who’s totally inexperienced, but it’s not impossible. The master storyteller renames him “Yotaro” (an old-fashioned expression for “fool” that apparently shows up a lot in rakugo), but he accepts him as an apprentice. Yotaro turns out to be a hard worker and to have a good heart, and he openly supports the people around him. One of these is Konatsu, raised as a daughter of the house but actually the orphaned daughter of a famed rakugo storyteller. Although once it was just not done for women to do rakugo, Yotaro straightforwardly recognizes her skill and learns from her, while also asking the master to make her an apprentice too.

But it won’t all be that easy for Yotaro. His past follows him and causes him trouble, just as their pasts follow his master and his sempai, Konatsu. Somehow, they must reconcile the past while finding their own paths into the future. Because the problem with a traditional artform is that it has to stay enthralling to audiences in order to survive….

Visually, this show is gorgeous, albeit done in muted tones. The voice acting is also tremendous. (I’m pretty sure that the guy who plays Nyanta in Log Horizon is playing one of the small parts.) But even though it’s a “cultural” show, it’s not inaccessible to us Westerners; and it’s interesting that the anime art seems to be pointing out the debt that anime owes to traditional Japanese storytellers as well as to Japanese drama conventions. (As apparently the josei manga it’s based on was doing for manga art.) It will also be very interesting for anyone who’s ever performed in public, because it catches that feel very well. But as is fitting for a show about storytelling, it’s just a darned good story!

Episodes of this show are 47 minutes long, so you get a full drama-length TV show every week. That’s needed, because each episode apparently covers a lot of ground!

I recommend this show. Like Yotaro, it has a good heart.

Showa Genroku Rakugo Shinju* is available on Crunchyroll. The first ep will be available to non-subscribers (free with commercials) starting next Friday.

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Samurai Pizza Cats: Now Available on Crunchyroll!

Crunchyroll has been adding a lot of older animes lately. Now they have added the famous/infamous Samurai Pizza Cats, a humorous, non-literal American dub of a fairly bizarre Japanese show about anthropomorphic cats wearing battlesuits.

If you’re a subscriber, you can watch the whole run as of today. If you’re watching it free with commercials, 18 episodes will be made available each week until the whole run is available to free users.

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Galileo – Now on Crunchyroll!

Tantei Galileo (Detective Galileo), a fun live-action mystery series from Japan in 2007-2008, is now going to be available on Crunchyroll for legal viewing! (It’s been retitled Galileo for us overseas viewers.)

Yukawa Manabu is an internationally-known physicist. Kusanagi, his roommate from back at Tokyo University, became a police detective; and so Yukawa also works as a scientific consultant and sleuth, as chronicled in several short story collections and the first two Galileo mystery novels by Keigo Higashino. (The later books have been affected by events and characters from the TV show, which the writer apparently considers canon-ish.)

But the tv adaptation paired up Yukawa with Utsumi Kaoru, a newbie police detective from the same station where Kusanagi worked before he got promoted to headquarters. She’s a woman, shy, prickly, younger, and of much lower social station. (Which is why at first you see her bowing all the time to officers senior to her, which is pretty much everyone.) But she’s not eyecandy or comic relief; she runs the cases. Her passion for truth and justice pairs nicely with Yukawa’s more coldblooded approach to problems.

If you like a good traditional puzzle mystery that relies on logic, fact, and scientific principles, and if you like a mysterious atmosphere and interesting characters, you’ll like this show a lot.

The bad news is that there are only 10 episodes, and #4 is currently unavailable due to licensing problems. (Probably music issues again.) Non-premium members can watch the first three eps now, and the rest after August 7. The translation is well done, as usual for Crunchyroll.

Galileo!!

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Mouretsu Pirates #5: Poetry Battle Exchange

Too bad Kirk and Uhura never got to play the poetry reference game….

I think all the poetry references are from the medieval poetry collection Ogura Hyakunin Isshu, as far as I can tell.

“White robes….” = the change from spring to summer, and no more tears. Also, “Surrender!” A nice way to demand surrender, but Captain Doolittle is showing that she’s wide awake and smart, and that they’re stupid old farts.

“You say you’ll love me forever….” I think is a sarcastic comment about how the Lightning II is sad that the high school girls mean to leave so soon, along with more sarcasm about being ooh, so confused. But mostly it’s saying that the schoolgirls are lying and bluffing. It’s a veiled threat.

“….pushes forward….” I think is a poem about a boat traveling over the deeps of love, but don’t quote me on it. I’m not certain about this one; it may even be newly composed for the occasion. Anyway, the girl is saying, “You can’t stop us.”

“Mountain cherries….” is about how the girls are all alone with the Lightning II, and nobody knows its identity or what’s going on. Another veiled threat in the terms of a love poem, but probably also a veiled warning that the girls don’t know what their opponent is about to do next.

These poems have been translated lots of different ways, since they are both brief and involve ambiguous wordplay. I find the Crunchyroll translator’s speedy job amazing.

Linking to Steven Den Beste’s post asking for such an analysis, since I’m not a commenter at his site.

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